musical harmony
英
美
[网络] 音乐和谐;音乐和谐性
双语例句
- The analysis on musical techniques sums up important factors in operas that can adequately reveal characters 'personalities, such as melody, harmony and orchestration.
在音乐分析中,对歌剧中能充分展现人物性格的旋律、和声、配器等要素结合戏剧分析进行总结。 - He believes that music contains the essential factor-"harmony", if the musical "harmony" were brought into the whole universal society, the whole society would develop harmoniously.
孔子认为音乐蕴涵着和的要素,将乐音之和推及到整个社会宇宙,能使整个社会宇宙得到和谐化的发展。 - This study on this issue, combined with the actual quality of the situation of most students to develop high school students in various musical activities, the right to enjoy an acceptable measure of harmony function.
本研究对此问题,结合了大部分学生的实际素质情况,拟定了高中学生在不同的音乐活动中,对和声效果画面性欣赏可接受的尺度。 - The Application of Psychology of Musical Education in Teaching of Harmony
音乐教育心理学在和声教学中的运用 - Harmonies are often absent unless one accepts the musical nuance of imitation as structured harmony.
除非人们愿意接受仿效结构之美的细微差别,否则和谐之美往往都是不足的。 - His parents began his musical training at the age of four with guitar lessons and influenced his tastes by playing music in the house that was alive with harmony and melody.
岁时,父母开始对他进行了吉他方面的音乐训练,影响了他室内奏乐的风格,那种充满了和谐美妙的风格。 - In Chapter 2, I analyze the nationality features in his musical creation from the elements of rhythm, harmony, tune and so on, trying to grasp its outstanding originality on the application of nationality musical elements and techniques.
在第二章,笔者从旋律、和声、调式等诸多创作因素入手,对丁善德钢琴音乐创作中的民族特性进行了分析,力图把握其创作对民族风格音乐要素的应用及创作手法的独到之处; - Are involved in the research process: musical form, harmony, piano accompaniment texture, form, mode and tone of the layout of the piano vocal melody and texture in the melody composed of two Vice-Ministry of digital audio technologies such as composition theory.
研究过程中均涉及到:曲式,和声,钢琴伴奏织体形式,调式调性布局以及人声旋律与钢琴织体中副旋律所构成的二声部对位等作曲技术理论方面。 - Therefore the application of multiple-voice on most musical creation, it almost adopts the ways of European harmony.
于是在多声部音乐的创作中所运用的和声,大多是欧洲大、小调体系的和声方法。 - In this paper, I Analyzed this solo works from musical form, harmony, tone and tonal relations and filled the remained research questions of the pipa playing techniques and the ongoing creation.
本文主要从乐曲的曲式、和声、调式、调关系等作曲法方面深入研究,填补前辈在琵琶的演奏技法方面及二度创作感受方面遗留的研究问题。
